Identity Mapping Series are intergenerational portraits of Cynthia Brannvall’s family members collaged with historical, contemporary, and satellite maps from the countries and continents of her heritage. The range of maps includes “outdated” versions with countries that no longer exist or illustrate first nation territories in what would become the United States of America. It is a visual exploration of the artists' interest in the instability of place in regard to notions of nativism and identity. The first nation peoples offer an understanding of identity as connected to seven generations before and seven generations forward. Brannvall considers this in terms of the geography and nationalism of her ancestry and concludes that it is more accurate to understand identity formation and the concept of belonging as an unstable journey. For the artist, intergenerational identity and belonging are a path that meanders through time and places with changing borders, political systems, names, and dates that are determined by exploration, conquest, colonialism, opportunity, lust, and love.